AMOURS COURTOISES
Group Show: Galerie Sultana, Paris
Pauline Curnier Jardin, Julie Curtiss, Eddie Peake, Yu Hongrie, Athena Papadopoulos, Sally Ross
15 October - 16 December, 2017
FINALIST - PORTIA GEACH MEMORIAL PRIZE
S.H.Ervin Gallery, Sydney, October 2017
SPRING 1883 art fair, The Establishment Hotel, Sydney, September 2017
Murray White Room / Alaska Projects
new works - Group Show, Murray White Room, Melbourne
5 July - 12 August, 2017
THE DREAMY, COLOURFUL WORLDS of SALLY ROSS
for ABC The MIX / IVIEW a film by artist extraordinaire Will Huxley
The exhibition at Murray White Room / studio
December 2016
Independent HQ Brussels, art fair >>
19-23 April, 2017 Galerie Sultana, Paris
LOSING FARTHER, LOSING FASTER
curated by Bradley Vincent
GROUP SHOW ALASKA PROJECTS, carpark
KINGS CROSS, Sydney
March 24 - April 16 2017
SALLY ROSS
Paintings and Carpets
Murray White Room, Melbourne
18 NOVEMBER - 22 DECEMBER 2016
Sally Ross Portrait 2015 oil on wood 46 x 38cm
Sally Ross Landscape 2015 oil on wood 100 x 150cm
FINALIST ARCHIBALD PRIZE 2016 ART GALLERY OF NEW SOUTH WALES TOURING NATIONALLY
Sally Ross, Eva Orner 2014 oil on wood 150 x 120 cm
Eva Orner is an Academy and Emmy Award-winning documentary filmmaker.
I met Eva Orner through our mutual association with HAGAR Australia – an organisation working with survivors of trafficking and abuse in Afghanistan, Vietnam and Cambodia. I instinctively knew I wanted to paint her – I was struck by Eva’s sheer, unselfconscious drive and her large black spectacles.
Eva Orner won an Academy Award for her work on Taxi to the Dark Side, a documentary examining the sanctioned use of torture by the US military. Her documentary gaze has now shifted back to Australia and the messy, inhumane treatment of refugees and asylum seekers for her forthcoming film Asylum.
(Robe: Afghan architect/designer Rahim Walizada)
WATCH THE TRAILER FOR EVA ORNER’S NEW FILM CHASING ASYLUM HERE >>
Sally Ross, installation view, galerie Sultana, Paris 2015
MOUSSE CONTEMPORARY ART MAGAZINE >>
Featured in the current issue of Higher Arc 04, 2014, pp128-135.
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